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Docklands at Dawn

Working with the assets provided by Isotropix proved a good way to dive in to Clarisse iFX. This project file is now rather well covered so I’ve tried to bring my own take on it while learning the tool. Clarisse really makes lighting and layout enjoyable at last. It’s a bit like moving assets around in a real-time engine like Keyshot, but at a massive scale. This is rendered with the Clarisse PLE and composited with the Nuke PLE.

Detail zoom showing the shuttle's error message and a mechanic relaying info to her colleague welding on some buffer panels.

Detail zoom showing the shuttle's error message and a mechanic relaying info to her colleague welding on some buffer panels.

Error screen of the pubtrans shuttle. This might mean something to some of you 😇. Makes you wonder what Jewel of a mechanic is fixing the shuttle. 🤫

Error screen of the pubtrans shuttle. This might mean something to some of you 😇. Makes you wonder what Jewel of a mechanic is fixing the shuttle. 🤫

Clarisse wireframes with the Ambient Occlusion renderer on. Because it's pretty.

Clarisse wireframes with the Ambient Occlusion renderer on. Because it's pretty.

Wipes from wires to lit, to really lit.

Wipes from wires to lit, to really lit.

Clarisse screenshot without atmospherics, only geometry and volumes to show the main stage.

Clarisse screenshot without atmospherics, only geometry and volumes to show the main stage.

In a city where everybody buzzes the tower, at least once.

In a city where everybody buzzes the tower, at least once.